The social representations in Moroccan Cinema : the representation of the bourgeoisie versus marginalized classes

1. Introduction 1.1. Background of Moroccan Cinema 1.2. Objectives of the Study 1.3. Structure of the Paper 2. Theoretical Framework 2.1. Social Representations Theory 2.2. Representation in Film Studies 2.3. Class Dynamics in Cinema 3. Historical Context of Moroccan Cinema 3.1. Development of Film Industry 3.2. Influence of Colonial History 3.3. Evolution of Narrative Themes 4. Representation of the Bourgeoisie 4.1. Characteristics and Portrayals 4.2. Cinematic Techniques Used 4.3. Bourgeoisie in Different Genres 4.4. Case Studies of Notable Films 5. Representation of Marginalized Classes 5.1. Defining Marginalized Groups 5.2. Cultural and Economic Aspects 5.3. Filmmaking Strategies Employed 5.4. Case Studies of Influential Films 6. Comparative Analysis 6.1. Themes and Motifs 6.2. Symbolism and Imagery 6.3. Audience Reception and Impact 7. Social and Cultural Implications 7.1. Influence on Public Perception 7.2. Role of Filmmakers and Producers 7.3. Cinema as Social Commentary 8. Conclusion 8.1. Summary of Key Findings 8.2. Contributions to Film Studies 8.3. Recommendations for Future Research