The social representations in Moroccan Cinema : the representation of the bourgeoisie versus marginalized classes

1. Introduction 1.1 Background of Moroccan Cinema 1.2 Purpose and Scope of Study 1.3 Structure of the Thesis 2. Historical Context 2.1 Development of Cinema in Morocco 2.2 Socio-Political Influences 2.3 Key Historical Milestones 3. Theoretical Framework 3.1 Social Representation Theory 3.2 Concepts of Class in Cinema 3.3 Methodologies for Film Analysis 4. Depiction of the Bourgeoisie 4.1 Characteristics and Themes 4.2 Comparison with Western Cinema 4.3 Case Studies of Specific Films 5. Representation of Marginalized Classes 5.1 Socio-Economic Challenges 5.2 Narrative Techniques and Storylines 5.3 Film Examples and Analysis 6. Comparative Analysis 6.1 Contrasts between Class Representations 6.2 Common Motifs and Symbolism 6.3 Audience Reception and Critique 7. Impact on Society 7.1 Social Awareness and Change 7.2 Reflection of Cultural Identity 7.3 Influence on Other Art Forms 8. Conclusion 8.1 Summary of Key Findings 8.2 Implications for Future Research 8.3 Final Thoughts on Moroccan Cinema

1. How does Moroccan cinema depict the dichotomy between the bourgeoisie and marginalized classes, and what narrative techniques are employed to highlight these social contrasts? 2. In what ways do the representations of the bourgeoisie and marginalized classes in Moroccan cinema influence societal perceptions and contribute to cultural identity within Morocco?