Social representation in moroccan cinema: the representation of the bourgeoisie versus Marginalized class

1. Introduction 1.1 Background and Context 1.2 Research Objectives 1.3 Methodology 1.4 Structure of the Study 2. Historical Overview of Moroccan Cinema 2.1 Evolution of Moroccan Cinema 2.2 Key Movements and Directors 2.3 Influence of International Cinema 3. The Concept of Social Representation 3.1 Definition and Theories 3.2 Social Class in Cinema 3.3 Importance in Cultural Narratives 4. The Bourgeoisie in Moroccan Cinema 4.1 Characteristics and Depictions 4.2 Iconic Films and Analysis 4.3 Societal Impact and Reception 5. The Marginalized Class in Cinema 5.1 Representation Techniques 5.2 Case Studies of Key Films 5.3 Audience and Critical Response 6. Comparative Analysis of Classes 6.1 Visual and Narrative Techniques 6.2 Themes and Storylines 6.3 Public Perception Differences 7. Influences on Representation 7.1 Role of Directors and Screenwriters 7.2 Political and Economic Factors 7.3 Cultural Sensitivities and Ethics 8. Conclusion and Recommendations 8.1 Summary of Key Findings 8.2 Implications for Moroccan Cinema 8.3 Suggestions for Future Research