Confession as Performance: Theatrical Self-Exposure in Gothic Narratives

1. Introduction 1.1 Definition of Key Concepts 1.2 Scope and Objectives of the Study 1.3 Structure of the Dissertation 2. Historical Background 2.1 Origins of Gothic Literature 2.2 Evolution of Gothic Narratives 2.3 Role of Confession in Literature 3. Theatricality in Gothic Narratives 3.1 Elements of Theatricality 3.2 Symbolism and Stagecraft 3.3 Impact on Audience Perception 4. Confession as Performance 4.1 Psychological Dimensions 4.2 Confession vs. Testimony 4.3 Inner Conflict and Revelation 5. Case Studies of Self-Exposure 5.1 Analysis of Key Gothic Works 5.2 Characters' Confessions and Their Impact 5.3 Authorial Intent and Reader Response 6. Comparative Analysis 6.1 Contrasting Gothic and Non-Gothic Confession 6.2 Cultural and Temporal Variations 6.3 Confessional Patterns in Literature 7. The Paradox of Self-Exposure 7.1 Vulnerability vs. Strength 7.2 Authenticity vs. Performance 7.3 Literary and Dramatic Critiques 8. Conclusion 8.1 Summary of Key Findings 8.2 Implications for Future Research 8.3 Final Reflections on Gothic Confession

1. How does the portrayal of confession as theatrical performance in Gothic narratives influence the audience's perception of the authenticity and vulnerability of the characters involved? 2. In what ways do cultural and temporal contexts affect the representation and function of confession as a performative act in both Gothic and non-Gothic literary traditions?